How did you start writing about art?
[...] I didn't really think very much about it, but obviously the way to describe something is just to say what it is and then say what it means to you. And that's basically the recipe for art writing: what is it, and what does it mean? I was certainly familiar with art writing done by poets over the years. Art in America had that wonderful tradition of hiring poets, and I went back and read criticism by people like the poet James Schuyler and his close friend, the painter Fairfield Porter, who wrote art criticism that is so graceful and immediate and complex. I love that. Frances Richards, who writes for Artforum, is another poet writing about art; there's a bracing, slap-in-the-face, shocking difference between that and writing by a professional critic. It's writing that perceives the work on the same plane as the visual artist, but articulates it in a different way. It's experiential.